PUBLISHED WRITING (2010-present)
Desert Hearts: An Aging Queer Trilogy, in the special issue: Women and Aging in [in]Transition edited by Barbara Zecchi, Volume 11, Issue 3, 2024.
Curation as the Cure for the Archive: Groupe intervention Video’s Vidéos des Femmes dans le Parc. Feminist Media Histories: An International Journal 10 (2-3), 2024: 198–214. Co-authored with Alanna Thain and Ylenia Olibet.
Thelma & Louise: Rape culture, mudflaps and vaginal horizons. Teknokultura. Revista de Cultura Digital y Movimientos Sociales 21(1), 2024.
Watch me sleep: Self-surveillance and aging queer performance anxiety, in the special issue, sleep/dormir, edited by Aleksandra Kaminska, Dayna McLeod, and Alanna Thain, in Intermédialités / Intermediality, Numéro 41, printemps 2023.
Michèle Pearson Clarke, The Animal Seems to Be Moving – Dayna McLeod, Queer Black Masculinities: Middle-aged Boyhood Ciel Variable, Vol. 123, Summer 2023.
Capitalism Machina. Exertions. 2023.
Renovate My Uterus: Aging Queerly Through Performance Art and Karaoke. Special Issue on aging edited by Rebecca L. Jones, Andrew King, and Dr Nadine Changfoot, “Revisioning aging futures: Feminist, queer, crip and decolonial visions of a good old age,” Journal of Aging Studies, Vol 63, December 2022.
What a Feeling: Intimate Karaoke, Live at Uterine Concert Hall. Guest editors: Jocelyne Bartram Scott, The Journal of Autoethnography, Vol. 3, no. 2, 2022.
Spotting the Cougar: Performing Queer Middle-Aging in Cougar for A Year. Special Issue on Age and Performance, Guest editors: Benjamin Gillespie, Julia Henderson, Núria Casado-Gual, Theatre Research in Canada, Vol. 42, no. 2, Fall 2021.
Co-authored with Alanna Thain: Cinema’s Missing Bodies (With Laurent Lafontant of Massimadi Afro LGBTQ+ Film and Arts Festival, Bradford Nordeen of Dirty Looks, So Mayer of Club des Femmes, and Gary Varro of Queer City Cinema). Framework: The Journal of Cinema and Media, 62.2, Fall 2021.
This Is What It Sounds Like: Intimate Karaoke, Live at Uterine Concert Hall. Special Issue on Sound and Performance, Guest editors: Moynan King and Megan Johnson “Sound and Performance,” Canadian Theatre Review, Vol. 184.
Kent Monkman and Miss Chief Eagle Testickle: Disrupting Colonial Comforts and Settler Sensibilities, Ciel Variable, Vol. 113, Fall 2019.
Guest Editor: NOMOREPOTLUCKS, “Interview,” no. 50, May-June 2018.
Guest Editor: NOMOREPOTLUCKS, “Aged,” no. 41, Sept-Oct 2015.
Co-authored with T.L. Cowan and Jasmine Rault: Speculative praxis towards a queer feminist digital archive: A collaborative research-creation project. Ada: A Journal of Gender, New Media, and Technology, No.5., 2014.
Reflections on Performing Cougar, NOMOREPOTLUCKS, “Perform”, no. 32, Jan-Feb 2014.
The Hierarchy of Photographic Truth and Dalpé’s Digital Double, Pierre Dalpé: Personae, ed. Robert Hébert (Quebec: Les Editions Cayenne, 2012).
J.J. Levine: Queering the Heteronormative Matrix, CV Photo Magazine, Vol. 88, Summer 2011.
Open Source Communities of the North, Unite, NOMOREPOTLUCKS, “Rural”, no. 11, Sept-Oct 2010.
Erika Kierulf: The Perfect Moment Collector, NOMOREPOTLUCKS, “Mea Culpa”, no. 10, July-Aug 2010.
Simone Jones is the Perfect Vehicle, NOMOREPOTLUCKS, “Beast”, no. 8, Mar-Apr 2010.
Natural Artifice: Elinor Whidden and 12 Point Buck, exhibition essay, Gallery 44, Toronto, ON, Jan. 2010.